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Kung Fu Movies: Mar’s Villa (1978)

A much more “classic” kung fu film this time around.  Or, at least, what I feel like a classic should be, given my uneducated state.  Starting with the previous movie (Circle of Iron) looks like a mistake now that I look back.  But part of this whole project is trying to discover the movies in the first place.

So in this movie, we have a lot of the elements that I think should be in any classic kung fu movie: bad dialogue, contrived traps and killings, random acrobatics, jumping off of tall structures, lots of staring and fast/tight zooming into and out of actors’ faces, forced marriage, weird hair and eyebrows, twins who fight as a team, and so on.

But the ending was abrupt.  Enough so that I went, “*blink* Huh?  That’s the end?” and skipped back to see if maybe something had gone wrong.  But I was streaming it from Netflix, and sure enough, that was it.  A very fast, “hero and his wife start walking” and that was it.  Cut.  No fade, no moment to watch them, nothing.  Just bam.  End.

So that felt a little lackluster, given the epic fighting scene that took place before it.

There were also a few areas where it seemed as if some important stuff was left on the cutting room floor.  Or else it should have just been edited out.  For instance, the brother of the wife dies, there’s a few seconds of the hero being upset because he didn’t get there in time to save him, and then we never hear about the brother again.  Not even to get a reaction from the wife whose brother just died!  In another scene, the hero and his sidekick talk about how he should leave, it’s too dangerous with all the opponents around, and the hero states that no, he will rebuild his school and wealth, you’ll see…. oh, and by the way, do you know where they took my wife when they kidnapped her?

A few things I noticed in this movie:

  • apparently, in kung fu movies, people walk everywhere.
  • The prime role of a student is to run around yelling, “Master!  Master!”
  • It’s a pretty bad idea to walk into a building/temple/field/etc that’s completely empty, because by now you should know that a horde of opponents are going to jump out from every nook and cranny (think English muffins, except with weapons and more yelling).

Another thing I noticed is that it’s not dishonorable to have a cohort join the hero in his battle against the villian. Maybe villians undergo additional training to handle this.

Oh, another thing: somehow, people can get beat up for 10 minutes without looking worse for the wear, then other people (not just the hero / villians!) can get hit twice and die.


  • quest for patience over violence
  • challenger of a technique
  • kidnapping and rescue
  • uncertain adversary: friend or foe?
  • vengeful family
  • training for goal

Kung Fu Movies: Circle of Iron (1978)

The first film in my kung fu film foray was Circle of Iron with David Carradine.   I didn’t know this before watching it, but the intro screen of the movie told me that Bruce Lee (and two others) wrote this script under the original name The Silent Flute and that he wanted to incorporate some of his (mostly Zen) philosophy into a movie.  As such, the movie did have a preachy element to it.  It was obvious that the writers were trying to make points, especially in a few scenes where a character (usually one of Carradine’s four) infodumps some philosophy.  Given the time period of its release, the movie likely served as an introduction for eastern philosophy and martial arts for some viewers.

What struck me the most about this movie was the editing. Some scenes went on way too long.  Others felt too random and out of place within the narrative.  I didn’t write about it, but I remember thinking the same thing back when I watched Mad Max: “What the hell did that have to do with anything?”

It makes me wonder how much of it is a sign of the times and how much is just the project, its budget, and the staff available.  I don’t doubt that movies and visual storytelling has changed in the thirty years since this movie was made.  Yet I also know from other movies that the nature of this film isn’t de-facto across all movies of the time period, either.  I expect to get a better view of this as I continue to watch movies.


  • competition as selection for task
  • wrong person chosen for task
  • character goes anyways and overcomes what chosen one could not
  • series of trials
  • hidden teachers
  • real / assumed nature of the sought-after thing differs